Sweet Georgia BrownB. Bernie, H. Pinkard, K. CaseyArranged and Tabbed by Tony Willis 24/2/00 (Please see the notes section for more details):xIII LIII I@I`IL L I L  L I3@i`I0 I0 I0I0@I0I0I0 I`III I`III@FFFF@ I  I0L@P L`  L I0` I0 BI0 I0#I0@#I0#I0#I0 $I`$I$I$I %I`%I%I%I@&F&F'F'F*@++,-I- L- -I.I .I@. I`.I. L /I0`/I0/ I0/ I01I0@1I01I01I0 3I`3I3I3I 4I`4I4I4I@5F5F6F6F@99::< I < <L<L<0=L@=P= L`= =L==L= > I0`> I0>I0>I0@I0@@I0@I0@I0 BI`BIBIBI CI`CICICI@DFDFEFEFG@HHI KI@KIKLKLKKILI`LILLLLL MI0`MI0MI0MI0NI0@NI0NI0NI0 QI`QIQIQI RI`RIRIRI@SFSFTFTF@VVWWZ I Z ZLZ0[ L@[ P[ L`[ [ [L[[L[ \ I0`\ I0\I0\I0]I0@]I0]I0]I0 `I``I`I`I aI`aIaIaI@bFbFcFcF@eeff 0f 0iI iI@iiIPjL`jjjLjjI kI0`kI0kI0kI0nI0@nI0nI0nI0 oI`oIoIoI pI`pIpIpI@qFqFrFrFu@vvwxI xI@xxLPyL`yy IyIyLy zI0`zI0z I0z I0}I0@}I0}I0}I0 ~I`~I~I~I I`III@FFFFI I@I`II L I I3@i`I0 I0 I0I0@I0I0I0 I`III I`III@FFFF@ I I0L@` I ЗL I0`I0BI0 I0I0@I0I0I0 I`III I`III@FFFF@I L II I@ I`I L I0`I0 I0 I0I0@I0I0I0 I`III I`III@FFFF@ I I@LP ,I` i еL I0` I0I0I0I0@I0I0I0 I`III I`III@FFFF@L0L@F L P L` II I0` I0 I0 I0I0@I0I0I0 I`III I`III@FFFF@I I@LFP L` II I0` I0 I0 I0I0@I0I0I0 I`III I`III@FFFF@@I`HIE I I II I I I0`HI0E I0I0I0@I0I0I0 I`III I`III@FFFF@L@ IFL ` IL I0` I0I0 L @I0 I0I0I0I0 I`III I`IIIFF@FF@` L IMIK I  I@ Ip L  L I I`III I`III@FFFF  @   F@ I` I F   N I`III I`III@FFFF@ N N0N@ ` N N    p N  #I`#I#I#I $I`$I$I$I@%F%F&F&F@))**,MFK@, I`- I- C 2I`2I2I2I 3I`3I3I3I@4F4F5F5F@8999@<I<I=I = I`=Lp=L==N= I=I AI`AIAIAI BI`BIBIBI@CFCFDFDF@FFGGJKIIJ KLKN K L@K LPKN`K ILNL LLNLI PI`PIPIPI QI`QIQIQI@RFRFSFSF@UUVV0YNYLYLY NYIYNZ L Z L@Z I`Z LpZ NZ NZ L[N_C_C`C`CaCaCbCbCdeh I hL0i Ni FiNi .ii@jI`jInCnFnFoCoFoFpCpFpFqCqFqFsstwI wI@wFwIwLwNwFxJIH xI@xFxJIHxLxNxFzJIH zI@zF zJIHzLzNzF }I`}I}I}I ~I`~I~I~I@FFFF@I L0N@I`ICMIK L0 N@ I` I CMIK L0 N@ I` I C I`III I`III@FFFF@NI L0N@I` LpNLNLLЖN LN I`III I`III@FFFF@MFK@ I`I L, F I`III I`III@FFFF@I L0,@I` Lp,IOIML,OIM I`III I`III@FFFF@ I L0 L@I`Lp , I F I I`III I`III@FFFF@ LL IMIKII L0L@I`LpL I`III I`III@FFFF@F@ LP L`LIp L IF I`III I`IIIFF@FF@LL@LpLLLLPLLL L`LLLL0L@@@@0LLL L`LLL LLpLLL@ LPLLL@@@@ 0 L` L L LL@LpLLL LPLL,LLL@@@@0L`LLLL@LpLLLL LPLLLLL"@#@$@%@)+L@+Lp+L+L+L+LP,L,L,L -L`-L-L-L-L.L0.L1@2@3@4@70:Lp:L:L:L ;LP;L;L;L;L< LI0@>I0>I0>I0 ?I`?I?I?I @I`@I@I@I@AFAFBFBF@EEFGHL@H IHLHLHLIL I`I II LIL JI0`J I0JLJL@KI0K LLI0LMr NI`NINC OI`OIOCPCQF@QFQCS@TUWFXL0XL`XIXFYL@YLYF YF(Y Z LPZ LZF([F\l`\`\L\F]]F^^F__F``FbeThis arrangement contains 3 choruses - each with a different style. 1. Standard rocking thumb fingerpicking with the left hand jumping up and down the neck to keep the melody going. 2. A light-hearted corrupted refrain containing a hotchpotch of well-known melodies. See how many you can spot. 3. Melodic style fingerpicking letting the notes ring into each other as much as possible. This Version Copyright 2000 by Tony Willis ag.wills@cwcom.netcw %).38%).38=ci|"%).Banjoic Guitar  c t5:?DAcoustic Bassr 101001110000=0$0;>99;<<7F0000040P<0/2101000000001:@0/0111110::::H<10000007000000000000 0000000Page &p / &n / &n &c&2&t &c&6&s &r&3&m&s &r&3&m &r&3&t - &3&s- &3&s